Showing posts with label debt. Show all posts
Showing posts with label debt. Show all posts

Saturday, 28 May 2022

Reading the Macro-Arc - Implications of the House of Lies, pt. 1



How the Band projects future trajectories & what that suggests for the collapsing beast system we find ourselves in.

If you are new to the Band, this post is an introduction to the point of this blog that needs updating. Older posts are in the archive on the right. Shorter occult posts and other topics have menu pages above. 
Comments are welcome, but moderated for obvious reasons. If you don't see it right away, don't worry. We check regularly and it will be up there.


Zdzisław Beksiński, Blind


This post is the first of a two-parter wrapping up the recent exploration of the House of Lies - the  socio-cultural structural manifestation of the inverted beast system that defines the modern "West". We could have done it in one shot with a single marathon post like some in the past. But we haven't had as much time lately and really want to get started on the Langan project we announced a bit ago. We're toggling three subjects now - the arts of the West, the House of Lies, and Langan/CTMU - so we'll post part 2 of this on the next go round. That's ok, because some further observations, including how we conceptualize societal trajectories, and their implications are enough for now. Click for part 2.

If interested, here's the list of House of Lies posts in order. 



Mr. Misang, from the Modern Life is Rubbish series, 2018

Introducing the House of Lies as a socio-cultural state and some of its causes. Especially the traumatic condition of modern life.







Introducing the Functionally Two Species (FTS) model as a way of accounting for masses that are incapable of basic observation, reason, or memory. FTS2 are the narrative huffers that make the House of Lies possible.

Structural observations about the way the House of Lies works. Fake narratives, fake threats, fake fear, fake solutions. Wash, rinse, repeat because FTS2 can't learn.

Erik Johanssen, Daybreaker

The House of Lies runs on fake experts that peddle false narrative over reality. FTS2 tries to organize their lives around this instead of observation and reason with socio-culturally disastrous results.

Some basic things for FTS1 to watch out when seeing through the integrated deceptions of the House of Lies.











The journey through the House of Lies has hopefully been informative, if somewhat bleak. We’ve traced out a multi-level, integrated, social-political-cultural “structure” where every part is fake and usually inverted.




From governance and administration – real and apparent – through institutions and media, all the way to public opinion – all running on beliefs, assumptions, policies, rules, claims, etc. that are logically and observationally untrue.







We’ve identified some main aspects of this. Centralization is necessary to produce and disseminate the constant stream of interrelated falsehoods that make up the narrative. This is carried through a synergistic network of glowing screens and institutional channels. The House of Lies and its flickering narratives are only possible when a relatively small incestuous cadre can message through organized, controlled, and amenable pathways. Messages transmitted, reiterated, and amplified by clouds of fake credentialed experts. 

Until we reach the place where government openly works to destroy nation and culture, education contradicts logic and erases history, corporations attack and demonize organic human grouping and attitudes – where the truth is absent on every level. 




This doesn’t happen overnight. It’s a long gradual decline that builds up layers of dishonesty until there isn’t one thing to identify to clean up. It’s all interlocking and mutually reinforcing. An entire socio-culture as House of Lies.



At the same time, it runs on people. Obviously the liars – overseers and credentials – but they’re relatively few. It’s the idiot masses – the functional second species that makes up the majority of people. What we’re calling FTS2. Objectively, these have no functional memory, powers of observation, or capacity for judgment. They imbibe changing and wildly implausible narratives unquestioningly, even at the expense of their own best interests. 


Eric Johanssen, Falling Alseep, 2018


FTS 2 is so broken, so psychologically and cognitively impaired that they not only can’t think, they can’t feel either. Consider the self-declaration of mental deficiency referred to “whataboutism”. The premise is that only one moral outrage can be considered at a time. The one designated by the glowing screens and institutions of the House of Lies at that moment. 

FTS2 narrative huffers liken whataboutism to a red herring - something put forth as a distraction. But there’s a term for that. It’s "red herring". The idea that we ignore the moral hypocrisy of a virtue signaler – especially one using a contrived beast “offence” as a lever to disrupt society – is obviously wrong to the point of evil. We absolutely do need to assess the relative moral weight of the problem. And the credibility of the bleater. What is their agenda? What is their moral fiber? Their knowledge? And more importantly, what is the depth and quality of their analytical insight? Are they someone capable of assessing causal relationships between the greater socio-cultural frameworks and whatever cherry-picked misrepresentation the beast laser pointer is focused on at the moment?



Gali Stein, Check-in to nowhere, 2013

If someone is unwilling or unable to consider the bigger picture, there is no reason to pay a mote of attention to their  social criticism. They’re just hollow tools repeating whatever societally toxic screed the screens said, without the capacity to understand why.



The way narrative-huffing FTS2 fruit flies recoil from moral breadth and complexity indicates a disturbing quality that we haven’t really brought up before the preceding paragraph. It’s that it's not just that they can’t think of anything they aren’t directly told. They can’t feel without being told either. Basic personal appetites, sure, but we mean the empathy and sympathy that lead to moral outrage. Their “moral outrage” is so hollow and liar-dependent that they can only react to a single, decontextualized cause in a pre-programmed way. Realizing that their dictated infantile response pattern ignores more salient issues or is dead wrong on critical causal factors is not only beyond them, bringing it up makes them angry.



It’s easy to see in Ukraine with the total blank disregard to of the ~15,000 people killed over the last eight years in the Donbas by the puppet regime's criminal shelling. You know, a factor that precipitated Russian intervention. 

If you're a mindless narrative huffer, this is "distracting" from the Ukraine outrage-a-thon made up on the screens. If you're capable of thought, the context allows correct assessment and accurate moral judgement.















Since we're turning attention to implications, this is important. We've covered the inability to apply observation, reason, or memory. But the idiot masses are so dependent on the external commands of demons and liars, they have no capacity for independent moral response. Since implications are downstream outcomes, where then does the drive for positive change come from? The question...


How does a society of shambling, consuming automata that can neither think nor feel – only twitch mindlessly to spoon-fed deception – improve... anything?


The narrative engineers that drive these broken lost souls like Dante’s flies in Ante-Inferno are inversion made manifest. They're first branded “credible” - not for demonstrated credibility but for descending through the strata of the House of Lies. School starts the process with hollow chits leading to “positions”. These also reinforce each other – consider public health lies being declared “true” because university and big tech liars lie about them. And vice versa.



The graphic from the credentialism post. Just add in consideration of who awards the chits or selects for the positions and the screens.

And nowhere in these meandering webs of lies is there any point where reality can enter with some sort of measure or check.













Fake ideologies that are so vacuous that their very existence proves the worthlessness of the institutions that spawned them. But more than vacuous, the falsehood is motivated. Deliberate selected distortions of biological, historical, and logical realities steered by central narrative engineers to weaponize projected resentment into cultural atavism. The ultimate goal not being the empowerment of the spokesdupes, but to reduce the Western nations into a socio-cultural sludge that is both dependent on and incapable of resisting total elite control. The same old satanic globalist assault on reality, except powered by dreams of destruction instead of utopian progress.



It's the inversion of the equally demented lie of Enlightenment equalism. Human biodiversity is empirically obvious from human behavior and logically necessary from what we know about biology. Any theory that starts by pretending otherwise is self-cripplingly stupid/deliberately malignant according to the perpetrator.




The point is that like every metastasis of one-note post-Enlightenment cultural "theory", there's no coherent attempt to comprehensively assess the the truth of the claims. Not against a fully-rendered historical context or any measure of logical consistency. Even the suggestion that the claims should be assessed is countered by charges that basal functionalities like sense data and causality are oppressive. That familiar inversion that theoretical fantasy is ontologically prior to the reality that the fantasist was born into, but dumber. It's what makes these theories so effective - they're crafted by the midwitted to appeal to the stupid. Hence the proven worthlessness of the spawning grounds that breeds them. But also hence the complete disconnect between the theoretical fiction presented as "true" and the actual reality that the fiction wants to rewrite.

These fictions and projected fabrications are then absorbed and disseminated by liars in media, with no cross-reference to reality here either. Same demonic orchestrators with even dumber spokesdupes. They're further transmitted and disseminated by government flacks. Same demonic orchestrators with comparably stupid spokesdupeswith and again no cross-reference with reality. They're absorbed by corporate HR with the same demonic orchestrators, a new crowd of moron spokesdupes. But still no cross-reference with reality



Zdzisław Beksinski, Untitled

These interlocking webs of the House of Lies ultimately force the fictions and projected fabrications onto the idiot masses as “knowledge”. Still with no cross-reference with reality or attempt to show the connection to reality. Just stated as if "true". Many will deny and reject in their own minds, but unless actively opposed, society changes all the same. 


And if society is altered to reflect dyscivilizational unreality, dyscivilizational unreality will be the result...









Listening to the the deceptive and ignorant bleat about how the atavists "won't like it when..." or are "creating opportunities for competitors" just proves how effective the House of Lies is at constructing layers of fake reality. There is no "pendulum" swinging between truth and falsehood. The modern beast system is a continual descent into auto-idolatry and rejection of truth and objective morality. The pace may speed up or slow down, but the direction is constant. Nor is there a "free market" where mass alternatives to centralized beast organs have opportunity. If there were, we would see alternative education and medical accreditation and a totally different attitude to lawfare and targeted government regulation. There are grassroots online ecosystems, but they're self-funded and lack the global narrative creation range of the mainstream.

Bringing us to the issue of resources. 



In a fiat currency system, there is virtually no limit on those who control the money printing. And the integrated centralization of the House of Lies puts those near-limitless resources behind the integrated narrative engineering.




The implications of the House of Lies depend on its stability. The vertically-integrated system isn't going to spontaneously change without some external reason. Ultimately what drives the House of Lies is money. A demonic system of “finance” with limitless printing and no checks.

This bit from the chans that made the rounds a little while ago basically gets it. Just add Vanguard to Blackrock and you get ~15% ownership of every US company. Just look at the sums of money under very narrow control. Cue the "conservative" retard stammering about muh free market system...




Obviously there are independent entities surviving off customer revenue. The Band belongs to and supports some. But when you consider the money printer level resource streams enjoyed by beast entities, there is no possibility of direct competition for the conceptual spaces of the House of Lies. We are building self-contained, self-supporting parallel systems outside it's purview by appealing to those who can see past it to some extent. Different goal, and totally different scale.

The modern banking system is the root of the seemingly endless gouts of money. Fractional reserve lending essentially manufactures new fiat - unbacked by anything tangible - money out of thin air. And what many don't understand is that the "public" government and "private" banks are structurally entwined in ways that go way beyond buying hack politicians with embarrassingly small bribes. Click for the public-private governance structure of the FedClick for a piece on the private ownership of the NY Fed.



At the elite levels "public-private" is just misdirection. The role of finance as it really is today in the ongoing collapse of the West is something people really need to grasp. It's too late to do anything, but it would at least reduce some of the erroneous idiot bloviating.





 

 

So any assessment of the implications of the House of Lies has to take into account the vast pools of graft that power the whole rancid machine. One level of the system produces the currencies that empower the stranglehold of the rest of it. So the first implication is that integration means there isn't going to be any positive change in direction from the top down, or from within the system itself.

That brings us to the masses.

We recently made some observations to help people that can see and think - FTS1 - navigate the integrated deceptions of the House of Lies. It’s possible to work around some of the excesses by withdrawing as much as possible. This is more difficult than it used to be because of the overlapping technological and regulatory orders we’re enmeshed in. That and the naked immorality of the elites and their minions that run these orders.


Vincent Monaco, The Practical Deception


Money has always been corrupting, but the network of financialization, centralization in the corporate, education, and media spheres, and inverted credentialism is historically unprecedented. This means workarounds occur on the margins, but they can still occur.

Unfortunately the implications are less optimistic then individualized observations. The House of Lies isn’t collectively changing for the better without catastrophic collapse. Which we suspect is starting already, given the overall direction of events. And whatever happens, the world that was that many of us remember isn’t coming back.




Show the process.

It’s worth taking a moment to share the method that the Band has long used to make sense of big picture socio-cultural tendencies. We just think of it as looking at reality, but if we have to give it a name, we could call it reading the qualitative holistic trajectory.  That is a bit lengthy, so let's go with reading the Macro-Arc, or macro-arcing for less of a jawbreaker. It goes like this.


1. Start by defining a qualitative trajectory. Historical patterns become clearer in hindsight because of what’s called historical distance. We can see events and their causal outcomes as fully formed chains. Take one example - the decline of the dollar. Most are aware that Nixon made the final break with the gold standard in 1971. But it was actually Roosevelt - the monstrous progenitor of a good chunk of the socio-economic beast system - that made the initial break in 1933. Now look at the graph.



Roosevelt's 1933 scheme of inflating the money supply began a steep downward trend that's never ticked up since. Nixon's 1971 booster brought a steeper decline. Regardless of the false rhetoric at the time, the decision to introduce fiat currency causally enhances the inflationary reduction in the value of money.




We don’t have 50-100 year graphs that for recent past or present events, so these are murky and misunderstanding rampant. But events and developments are still sequenced in time. Meaning we can see them as causally-related paths or trajectories moving from past to future. We know doing X will have consequences of some kind, even if the downstream causal outcomes are unclear in the moment. And logic and empirical pattern recognition still exist. Once we see events as interwoven causal chains - trajectories - moving through time, we can preliminarily assess the likelihood of positive or negative impacts – morally, economically, socially, etc.

Things don’t stand still. The idiotic self-contradiction that change coexists with [everything staying the same otherwise] is one of the most annoying and objectively destructive Venn overlaps of lies and stupidity. The process is moral entropy.



When demons refer to the slippery slope as a "fallacy", they're disingenuously referring to the straw man claim that present action X inevitably leads to exact future outcome Y without "evidence". But futurecasting from pattern recognition is inherently not evidentiary in that way. The question isn't whether decisions have downstream consequences - they do. It's the likelihood that a negative causal chain  ensues from the decision. 









And this becomes totally different when not projecting future outcomes but looking in hindsight. Then there is no predictive uncertainty, just assessment of what already happened. 

Like how nominally Christian organizations' decision  to ignore explicit Biblical moral proscriptions eventually leads to the organization becoming non-Christian. There might not be "proof" when the first transgressions are permitted. But the trajectory is plain in hindsight.



A specific slippery slope isn't a rule for every minor negative. But one is for many. And every major negative has a downward trajectory from more minor things.

If you're not a demon or retarded, it's where pattern recognition comes from.  





That's qualitative trajectory. Some positive or negative direction over time in some causally-linked aspect of socio-cultural or personal reality.

2. Then define qualitative holistic trajectory. We’ve described socio-cultural reality as we experience it - the totality of societal relations and interactions over time - as countless interlocking butterfly effects. An incalculably vast torrent of actions and events all reverberating and interrelating, producing an endless proliferation of inflections and interactions. These reverberate and interrelate in turn, with new actions and events endlessly being added.



Sabrina Beretta, Saphir - Butterfly Effect, 2018, acrylic on canvas

In case there's pedantry lurking, the butterfly effect is a metaphor, not an endorsement of any specific formula. Simply the idea that socio-cultural reality - material reality in general - is comprised of interacting, time-sequenced causal relations. Just in such indescribable numbers to make precise reckoning impossible.







All of these innumerable chains are time-sequenced causal paths or trajectories of the kind described in #1. There’s just far too many to account for. But what we can do is pick up on a good number of major trends. Like noting all-cause deaths rising after forcing cancer-inducing experimental genetic therapies on an unwitting public. Or flooding a country with a stressed social aid system, concerns over energy consumption, and housing shortages with hordes of migrants from dysfunctional societies. As opposed to the long-term consequences in a minor disagreement in a village tea house or when you got up yesterday. 



Visualize socio-cultural reality as a tangle of event threads - each with its own trajectory - through time. The major ones can be identified more or less against the background noise. Sometimes you'll misjudge something, but that's ok. We're dealing in broad generalities.







And all these major trends that we can pick up on will have positive or negative outcomes qualitatively that can be projected with logic and empirical pattern recognition. The catch is that these big societal developments don’t belong to one “domain”. They appear distinct from each other in the usual classificatory thought structures that are used to organize socio-culture on the macro level. Developments in corporate structure, governance, jurisprudence, family structure, demographics, education, social peace, economic health etc. 

But they all have trajectories. On that level, they reduce to a common general positive/negative directional metaphor. So on that level, we can make generalized positive/negative comparative analyses. If the big societal developments we can track are mostly trending one way, then a sort of conceptual directional aggregate emerges.


The direction of this overall major trend aggregate is the Qualitative Holistic Trajectory or macro-arc for the socio-culture as a whole.


Ignore the socio-cultural background noise of countless trivial events and reactions. A macro-arc is determined when the major significant socio-cultural trends or trajectories are mainly heading it a common direction. It's very generalized - almost vague - and incompatible with myopic, beast-dependent demands for "proof" from within the House of Lies. It's also real and inerrant for generalized socio-cultural prognosis.



Background noise is background noise. Are the major socio-cultural causally-linked trajectories moving in a common direction? If so, is that direction negative?

If it is, the finite nature of growth or decline in a material reality means the situation is inevitably terminal. Barring an outside factor to alter the plurality of major trajectories. And that's what people miss. When the macro-arc is hard negative, it's not a matter of "reforming" one or two of the constituent trajectories. The entire socio-cultural direction over time has to shift.




Long-term readers will remember the time we spent exposing the obvious myth of Progress! [Click for a link to the initial post blowing out progress through analysis of architecture and a post looking at the foundation in the sin of vanity]. We didn’t have the current House of Lies terminology at the time but in hindsight, Progress! certainly fits as a foundational lie. The root problem is another inversion we identified early on – secular transcendence. That’s the self-evidently ridiculous premise that perfect abstract absolutes could materially exist in a finite material world.



It's essentially number 8 in our recent 12 Axioms post - the last look into the House of Lies.

















Progress! as an operant ideology assumes either finite conditions can improve infinitely, or that a state of absolute perfection in can and will be reached in an entropic, fallen material world. Since both are obviously impossible, it’s equally obvious that the post-Enlightenment virus philosophy of endless growth/betterment eventually has to end. As endless viral growth does - with the death of the host.

If we conceived of Progress! as a macro-arc, it would be an open-ended broad-spectrum upward societal trajectory. Thinking of it this way lets us visualize that holistic qualitative trajectory for the post-Enlightenment West as a metaphoric line on a graph. Only this graph doesn't encompass the abstract endlessness of the mathematical number line. More accurately, the time axis is close enough, but the available material resources and human capital do not. They're finite, with indeterminate but objectively extant capacity limits. 



It looks like this. Macro-arcs are constrained by the inherent limitations of their inherently limited material contexts.

When the finite aspect of the plot is considered, the impossibility of a societal ethos based on endless improvement becomes obvious...











Back in the world of objective reality, our current macro-arc has been breaking bad for a long time. Morally for centuries and socio-economically for at least decades. And just as the Progress! ride eventually comes to a brutal and necessary end because it can’t go up forever, the macro-arc can’t drop forever either. All the main trendlines making it up have inherent termini – debt load, moral degeneration, demographic degradation, resource depletion, etc. eventually reach the point of unsustainability. Where there is no longer enough healthy socio-cultural counterweight to compensate. Catastrophic societal events ensue where the socio-cultural context becomes too different to be a continuity with what was. Humanity continues, but with entirely new ethno-socio-cultural order.

It's not like it hasn't happened before. This is a common comparison. But it's not a one-time deal either. Consider how much culture, tradition, milestones - things considered important - have simply been wiped away. What happened to the Gepids? Where are the Alamanni today?




All this became obvious to youthful selves when we became old enough to make broad assessments from pooling observations. This was late in the last century - a point in time when sufficient abundance made public flight from moral choice or personal and/or societal responsibility seem viable. A time when the idiot masses around us responded to pointing out the obvious with slack-jawed incredulity and charges of cynicism. 

In other news, observations like the House of Lies and the functionally two species model are based in long-running experience.

It became clear where the macro-arc was going in the late 80s and by the early 90s, we were sufficiently advanced to think about timeframes. Since then, our operating assumption was that the wheels were coming off at some point in the 2030s – possibly the late 2030s, but macro-arc reading isn’t exactly precise. It seemed a long way down the road – three or four decades – but the wheels were coming off. Long way or not, the condition was terminal. Take a look some graphs cursorily scraped off the internet tracing a few major trajectories...



Start with the one that was most obvious to the young Band. The upswing in population growth - itself a hindsight slippery slope of modern technology - is obviously unsustainable & unique in human history.

But it's not just that. Note where the burgeoning hordes are. Packed into swelling mega-cities that are growing at an even faster rate than the population as a whole. Megacities didn't exist in the past because they require complex logistical systems to provide the means of life. Now picture what happens when complex systems can't be maintained because of degraded human capital.




About those logistics. The absurd population rates put the obvious lie to fake satanic globalist claims about "sustainability" or "caring about the environment" or "climate". Where does the energy to provide necessities of life come from for the booming megacities? Now consider liars bleating about "carbon" while importing hordes from low-energy need societies to high ones. It's so self-evident that we have to hypothesize the masses as a second species - incapable of thought or reasoned judgment - to account for it.

Note the growing amount of energy needed to extract oil. This will make post-collapse recovery to 20th century levels impossible.


Obviously, the cost of living for the average person is adversely effected. Housing is quite the bellweather. Here are some American trajectories. 

Even if all else were equal, society has to decline if ever more of a personal resource share has to cover lodging collectively. If more out of each dollar has to go to housing, that's less for everything else that makes up a healthy society.










Of course, the elites are relatively immune. The system is set up tp insure that the wealthy get ever richer relatively and control more and more of the economy. In an economy based on debt-created fiat currency, the population bloat that is collapsing mass culture perversely provides the debtors for elite financial paper "wealth" creation. The beast system is designed to enrich the servants of the beast by actively destroying the culture it presides over.

Note that the golden age that the boomers retardedly pretend we still live in was a historical trough in this wealth imbalance level.










Of course the screen-dependent idiot masses can do nothing to defend themselves because their own social fabric is degenerating into increasing government dependency. There is no social metric by which the dissolution of the nuclear family results in pro-social outcomes.

What it does do is ramp up demand for "social programs". Now consider the dyscivilizational socio-cultural trajectories that our governments have presided over - including the above graphs. Anyone still sanguine about the long-term prognoses of the degraded masses dependent of government teats to live?

















'Nuff said...

















We could continue - demographic decline, environmental degradation, etc. - but this is sufficient to make the point. Lots of major socio-cultural factors with clear trajectories that have been obvious for some time to anyone willing to look. How many aren't is part of hypothesizing the masses are a functionally second species. 

Now consider what direction all these trajectories have in common...




That's the macro-arc.

We couldn’t say what exactly "the wheels coming off" meant other than societal existential crisis. We generally referred to it to anyone willing to listen as “the collapse” or "the coming collapse". The problem was that the collapse – however configured – meant the societal trajectories we were projecting forward as a macro-arc were going to end or transform beyond recognition. Making further projection based on indices that no longer exist in a comparable way impossible

The graphical nature of the macro-arc makes it easier to see.



The trajectories comprising the macro-arc are products of the current socio-cultural context. Once that is sufficiently degraded, there is no longer socio-cultural capacity to maintain it. Change in degree becomes change in kind. Time continues as does some sort of context. It’s just not foreseeable because our context no longer exists in a determinative way and the new context's trajectories will respond to whatever its nature will be.





The graphic metaphor shows it’s like a singularity. The trajectory lines collapse and converge catastrophically, cutting off the indicators that would let you see past. So we could say with certainty that the current order was going to end, probably in the 2030s, but with no real confidence as to what that would look like or what would come next. Our assumption was always that as collapse nears, the specific details will become clearer. Which is currently happening.

The Band has often cited the work of polymathic thinker Vox Day. One of the reasons we view his work favorably is because of his own, more precise estimate of American collapse in 2033 – a date that fell within our own reading of the macro-arc.



Here's one of Day's later videos on the topic. We have to agree that the pace of current events makes this a compelling take.


 








Day's argument was quite different from ours, based on quantitative reasoning around currency life-cycles & recognition of demographic change, but this made it resonate with us even more strongly. It’s easy to second guess impressions, but seeing a different methodology yield compatible results is more compelling.


There are ways that the basic nature of macro-arc reading as a form of rough forecasting enhances its insightfulness. A big factor is that it’s moving – it’s a comparative assessment of related things sequenced in time. The sort of comparison-based reckoning that is impossible for the fruit-fly tier memories of FTS2. It's also a tonic for that destructive tendency to accept negative change based on present conditions and refusing to weigh the downstream consequences. Consider how many dyscivic policies have followed that template.



The structure of the macro-arc puts movement - change over time - front and center. We can visualize it like a line on a graph if the axes could be time and qualitative +/- change. This is why the term “trajectory” works well – it defines a directional course. Some critical observations that should have been obvious regardless become even more obvious...


1. Causal chains mean change continues beyond the initial move, and negative outcomes gain momentum.

2. Once continual directional movement is established, it doesn’t suddenly change or reverse course without something causing it to do so.










Reading the macro-arc is observational. Why things are trending is irrelevant to whether or not they are. Although once we see the direction that the macro-arc or even its main constituent trends are going, we can think about causal factors. History takes a different cast when assessed by the fruits – when we judge outcomes and not the ideologies or claims of the actors. Once the self-declarations of liars ceases to be the primary lens for assessing them, causal links become clearer. For example, all the big degenerate steps of the mid-20th century - from fractional reserve banking to the “sexual revolution” - light up as chutes towards societal collapse.

The inversively diabolical thing about it is that the whole arc was sold as growing maturity. The reality was that technological growth covered for the inherent impossibilities. Until it couldn’t. Here's a graphic that captures some main features...




























This means that the downward macro-arc is clearly compelled – driven by dyscivic and pathological socio-political changes cloaked by false claims of Progress! It’s easy to see. It also means that anyone promising things will get better needs to be able to at least hypothesize why. Read that again.

If some political flack is blathering about positive change, there has to be some evidence that the the main negative trajectories in the macro-arc will be transformed for the better. The question to ask is what is happening to the current sequenced causal drivers? Are they turning around? Is something else being introduced of sufficient scale to inflect socio-economic directionality? If not, the pattern continues, until it no longer can. Which is why things seem to be getting more insane as the point of "singularity" nears.



It's easy to see the intensity of the House of Lies growing towards a fever pitch. There is no longer a link between the narrative and organic human socio-cultural reality. Just spasming from one spray of deranged deception to another. If it still seems opaque, just ask how the current trends are sustainable long-term.




The spiraling madness is the late-stage downward macro-arc manifesting socio-materially. It’s what the decline looks like when culture and society are replaced by screens transmitting a centralized, vertically-integrated, fake credentialed system of demons preying on functional retards. Now consider...


Nothing corrects the House of Lies without reversing the societal macro-arc.

and

The downward macro-arc is eventually socio-culturally terminal.


Put the two together and the main implication is clear...













Consider what is entailed in actually repairing enough main trajectories so that the macro-arc swings upward. It’s possible to imagine, but virtually all the normative socio-cultural assumptions of the modern West have to go. What about the hundreds of millions of broken souls? The rapid rising prosperity is over regardless – too many mouths and the low-hanging fruit is all picked. And this is just the West… 

More practically, who’s doing it? FTS2 can’t think, so they can’t course correct. Fruit-fly tier memory means there is no accessible meaningful past to make the kind of comparisons that could identify declining conditions. Meaning this thought process...





















...is literally beyond them. Even rudimentary cause and effect judgments are out of the question. Meaning basic cross-referencing of the lies on glowing screens against their own experiences and observations – or even last weeks glowing screen lies - are also out of the question. 

Centralized control by fake experts means there's no possibility of truthful guidance coming from the external programming. And as the idiot masses are only becoming more dependent on the glowing screens, this is also a downward trajectory. 


To hypothesize improvement, one first has to hypothesize what changes it?


Consider the recent Q narrative that the Band has mentioned on occasion because of revelations that corresponded with reality better than the House of Lies. We remained agnostic at the time on the legitimacy of the proposed “great awakening”. A plan to break through at least some tiers of the House of Lies. Our perspective now is that the bits of truth were intended to add credibility to another bit of beast programming, but that is irrelevant right now. What is relevant is when and why it became obvious that this plan – sincere or not – was doomed.



The Q myth was initially based on the claim that there was credible opposition to the beast from within the system. "Patriots in control" and so on. But at some point, the narrative shifted to the idiot masses taking charge of a mass awakening into a logically and empirically false civic nationalist ideology that has already failed

The narrative was obviously doomed once it presumed that the masses possessed the ability to mass awaken. FTS2 can’t reconnect with reality in that sort of way. 







It was conceivable that new narrative engineers might supplant the old ones and push more reality-facing narratives through the glowing screens. In hindsight, the foundation in post-Enlightenment civnat mythology indicated that it never was a sincere effort to reverse the macro-arc. But the switch from “patriots in command” – the new narrative engineers ready to take over - to “you’re the news now” confirmed the impossibility first, in real time. 

Because there was nothing there to change the trajectory that a) built the House of Lies or b) rendered FTS2 incapable of thought. 



Might as well plan on teaching math to rabbits.


















Reading the macro-arc gives direction. But the integrated structure of the House of Lies allows for insights that general macro-arc trajectories don’t. Specifically why changing the direction is systemically unlikely. This comes back to something we’ve posted on before – de-moralization. The systematic removal of traditional intrinsic Christian morality from society and replacing it with materialist inversion. We hyphenate “de-moralization” to separate it from the loss of morale. But the House of Lies isn’t just the removal of morality and replacement with an ersatz alternative. There’s removal of culture and even more basic elements of existential reality.

But that's part 2.



Erik Johansson, Closing out

Our next - and last for a while - House of Lies post will look at the structural inevitability of systemic collapse along with some things to watch out for if you want to chart your own course outside the beast system.








The next post will jump into Christopher Langan's CTMU. It's been a challenging engagement where we've been uncharacteristically outgunned in some important ways. But not all of them, and we're ready to roll. If you prefer the more hardcore speculative stuff, it should be a good one.














Thursday, 4 July 2019

Look Up! Vertical Logos and the Dawn of the West


If you are new to the Band, this post is an introduction and overview of the point of this   blog. Older posts are in the archive on the right. Shorter occult posts have their own menu page above.

Other links: The Band on Gab


The last post gathered observations from the art and thought of the ancient world and began a look at the transformation brought about by Christianity. We are continuing our look into the art and thought of the West as a background for the inversions of Modernism and as a way of connecting with our actual history and culture and move forward. As always, we started as generally as possible with the basic foundation of what we can know and how we can know it, which brought us back to Classical ontology. Greek thought is too diverse to sum up comprehensively, but there is a pattern that is easy to identify - a hierarchical arrangement from a material world that is uncertain but empirically knowable to an ultimate reality of absolute eternal truth that is beyond comprehension. The easiest way to conceive this necessary incomprehensibility is to think about finitude and infinity - no matter how big the finite vessel, it can't hold even a fraction of the infinite. 



Monument to Antonio Canova, 1827, Santa Maria Gloriosa dei Frari, Venice

The boundary between temporality and eternity is impermeable. Here, the sculptors can show us material reality in the form of figures. But transcendence can only be shown by an abstract symbol - the pyramid is an old reference for eternity - and a dark door. What the eternal "looks like" is beyond us.

    




This becomes a problem for morality for reasons that would be obvious were people not so invested in incoherent narratives. There are only two options when discussing moral codes - they are based on unchanging principles or they change with collective desire or subversion. 



Jean-Léon Gérôme, Moses on Mount Sinai, 1895-1900, oil on canvas, private collection
 Henri-Paul Motte, Napoleon at Charlemagne's Throne, late 19th-early 20th century, oil on canvas, private collection


Start with the relativism. This is the Postmodern position, since Postmodernists are incapable of distinguishing a symbol from an object. They correctly identify that absolute clarity of meaning is impossible with finite humans using man-made communication systems. But this should be self-evident, not a "paradigm shift". The imperfection of language is only troubling if you actually believed in the possibility of secular transcendence - that absolutes are knowable to subjective, context-determined, limited human minds. Or that infinite streams fit in buckets. 



The Ancient of Days, 14th century, fresco, Ubisi, Georgia

We don't have to be able to see the thing in itself to know that it isn't the same thing as the representation. 

For example, God doesn't actually look like this and we don't need to know what He looks like to grasp that. 
















Recognizing what is possible to know and how makes it easy to see where secular transcendence crashes into reality. It was the same problem the Greeks faced when they brought the transition from metaphysical to physical into the empirically-visible world. Once the model fails to match observations, either the whole system gets tossed (Copernicus) or the liars double down on their fake reality and drift further from truth-seeking into their own imaginations (modern cosmology). 



This plays out over and over, in every aspect of the webs of lies and illusion that blanket the West. Two of the central fake faiths that were pushed to brainwash Americans were obviously empirically false from the jump: the myth of equalism and the absurd belief that an explicitly non-Christian constitution written by Enlightenment deists can defend American values. And as night follows day, insisting on internalizing beliefs that are empirically untrue leads to disastrous outcomes. 

Timeless values... 








There are retarded arguments on both "sides" that confuse abstract principles for their practical realization. The civnat consitutionists, lolbertarians, boomercons and the like believe words and ideas can change material reality. And the globalists, postmodernists, SJWs, and one world sociopaths believe demonstrating the falsehood of these myths disproves empirical reality. Were it funny, the substance of it all would look a bit like this:






























Once we see how fundamental a category error secular transcendence is, it is easy to see why it fails so catastrophically wherever it appears. Switch ranges and consider an example - education vs. Education! There are strong arguments for scholarship and a literate, numerate population. But these are abstracts - identify a general ideal but say nothing about how to achieve it. Objectively, the failed model that we've tried has not just failed to meet the stated goals, the entire apparatus is structured to work against them from the top down. From Prussian cogs to SJW convergence, it's never been about seeking truth. 



Consider the student debt crisis. Then consider that this graphic is already outdated. The vast inflation of the degree factory system was fueled by an almost unbelievable amount of money and the absurd credentialist lie that physically enrolling in an institution was the same thing as being intelligent and educated. 

Look at the steps - telling young people in their formative years that education leads to success is a general, impersonal principle. Lying to them that certificates from institutions that literally don't educate is "education" is the secular transcendence. Encouraging them to incur inescapable debt - in their teens! - to attend is Satanic moral inversion. Now consider how many figures in authority of some kind - from parents to teachers to politicians - perpetuated the deception. Mouthing platitudinous ideals about the value of education, then telling them bloated globalist daycares will develop them intellectually.



The surge in debt has been vacuumed up by institutions, larding the ivied halls with high paid bureaucrats and lavish facilities. But the credit is easy, everyone says this is education and education is necessary to get ahead. 











An educated populace is an ideal. The practical application requires empirical evidence of success.Even before we get into content-less curricula and SJW inversion - just taking the programs of study at face value - there is little correlation between what people study and economic need. The idea of academic specialty developed for a small population of scholars. It doesn't scale to mass vocational training. 



The poor fit is clear in the outcomes. But as bad as this is, the worst part is that this debt is unique in that it is federally owned and not dischargable through bankruptcy. It is literally socialized indentured servitude. It would be morally repulsive anywhere, let alone an entire society engorged on truly unstainable debt. 







The architects and promoters of this system are the same ones that wallowed in unpayable gouts of money borrowed against the future. But the only people indentured to this greed are those least worldly and most reliant on the advice of those in positions of "responsibility". The Band finds it difficult to maintain even a semblance of an even tone when discussing these grasping lotus-eaters. 
















Recognizing that the debt/Education! monster is an obscenity has no relevance to how you feel about the the value of a learned populace. They are fundamentally - ontologically - not the same thing. The greatest culpability falls on the institutions because they took money under the pretense of providing education and did the opposite. Call it the Clinton Haiti redevelopment model. Once you recognize the difference between the abstract principle and the actual application you can make the moral judgment. Were those advocating "reforming" this pile of rotting debris honest about their goals, they would be pushing for a complete tear-down. But they aren't. They want the same swill, just reset back to how it was in decade X. 



The arrangement of the deck chairs on the Titanic comes to mind. 

Which is why moral relativism = entropic decay. Everyone considers the problem from their personal experience and no one pays attention to the overall pattern. Or they just call it Progress!







Relativistic systems are doomed because they eliminate any check on human appetite. How did the constitution get jacked? How did education become a haven for parasitic degenerates that can literally retard the cognitive development of victims? And why did a generation of solipsistic, materialist, mindlessly gullible pigs just line up at the trough and support this, so long as the money is borrowed on the backs of their posterity? Wait... that question answered itself. There were no "principles" - just objectively false platitudes and incoherent lies that served selfish interests at the time. The combination of self-righteousness and grasping venal acquisitionism is disgusting.

























Clemente Spera and Alessandro Magnasco, Bacchanalian Scene, 1710s, oil on canvas, Hermitage Museum, Saint Petersburg


To put it systematically, student debt is a symptom of a demoralized secular materialism based on stolen money - quick, when was the last year without a deficit? - but singled from among all the other thefts as a lifetime indemnity. The idea that that targets the next generation is of no consequence to parasites drunk on unearned largess, and trapping a generation at the outset benefits the enemies of the West. In the Band's terms, it is a philosophical bait and switch, or the promise of something timeless followed with something contingent and circumstantial. It goes like this...















































Raphael, The School of Athens, 1509-1511, fresco, Vatican Museums
Thomas Couture, The Romans of the Decadence, 1847, oil on canvas, Musée d'Orsay
Thomas Cole, The Course of Empire: Desolation, 1836, oil on canvas, New-York Historical Society



Or if that interplay of pictures and texts is too complex, we can strip it down to basics. The virtue of an educated populace is a general value. This is an application in practice. They're not the same thing. 













Which brings us back to the need for an external moral standards. Things like stealing from the future is wicked, no matter how badly you want that second car or cruise. Things that don't accomplish what they were sold to do should be scrapped completely. Or selling out your principles dosen't become acceptable because of what some non-entity might think. Empirical observation shows us that no matter how well your secular transcendence appears to work in theory, it doesn't work in practice. So where do the principles come from?



The Greeks used the idea of logos to describe how the metaphysical and physical actually relate conceptually, which is fundamental for any moral objectivity. Ultimate reality is where we find absolute certainty - here Good and Truth are synonymous - but understanding how they relate rationally doesn't provide practical guidance for human judgment. 










Katie Kelly, Temporal Vs. Eternal, 2012


They knew the link was there but couldn't define it. 




















Christianity brought Old Testament theology to this conceptual pattern in a way that completed them both. The Old Testament dealt with this radical separation with religious law, from God, that told you what was moral. 



Frederic Edwin Church, Moses Viewing the Promised Land, oil on cardboard (academy board), private collection

The problem here was that the laws appeared arbitrary and even irrational - there is no complex philosophizing to demonstrate their consonance with human experience of the world. 









Jesus is God and logos - the authority of ultimate reality, the immanent reason behind Greek math and causality, and the link between human obedience to the Law and reason. It was the perfect integration of this system - increasing truth against decreasing clarity tied together by observation, logic, and faith that was the competitive advantage of the West.




With logos as a vertical axis hierarchically connecting the material and the divine, morality, science, and religion are just manifestations of the same thing on different ontological levels. Since all reflect ultimate reality in come way, all commensurably reflect the True/Good as well. At that level Good isn't a moral choice - it is what Is, what is True and vice versa. Therefore things that aim for truth are aiming for what Is on the appropriate level. Which is aiming for Good. 




And truth becomes moral.

















The last post also observed how Christian logos is consistent with an empirically observable sliding scale between brute materiality - what is perceivable directly to the senses -  and the absolute transcendence of ultimate reality. The closer we come to conceptual absolutes like Truth, the less empirically evident they are to us. This was the relevant graphic with the Greek version for simplicity:



A rock has no logos, only material nature. A work of art is observable matter, but changed to convey a message that may or may not me truthful. Humans are observable matter but are self-directed and can align with truth. Mathematical principles are self-evidently true, but are immaterial - symbolic manipulations of material quantities. Logos has no material nature and can't be visualized - only conceived allegorically.



This clarifies our epistemology graphic that appeared in an early post and has turned up in different forms from time to time. Heres's the original:



We observed that empirical and Christian perspectives on knowledge were materially and rationally compatible on the most fundamental level. The key difference was metaphysical - Christian faith provided the anchoring ontological knowledge that is outside empirical limits. 

But this was extremely general - Postmodernism fails on such a primal conceptual basis that simply pointing out what can be known and how causes it to self-immolate. 








We didn't get into ontological hierarchies because we the point was to isolate the finite/absolute distinction and show just how nonsensical secular transcendence is, even as a concept. So what it didn't do was show how the metaphysical knowledge that Christians know on faith clarifies the relationships between the things we can know empirically. Now let's adapt the epistemology graphic to fit the subject of more recent posts and bring morality, art or phronesis, and Satanic inversion into it. 




At this distance, we see that the overlap between the Christian and empirical breaks down. Both can trust reason and evidence to provide a conditional understanding of material reality, but part ways when it comes to applying that to human behavior or communication. This is because empirical observation is subjective - it is made by someone, with a certain frame of reference, in a certain time, at a certain place. As noted in the last post, there is no standard to check moral drift and subversion. 



Fyodor Bronnikov, Quaestor Reading the Death Sentence to Senator Thrasea Paetus, before 1873, oil on canvas, Radishchev Art Museum, Saratov, Russia

Henryk Siemiradzki, Following the Example of the Gods, 1899, oil on canvas, Lviv National Art Gallery

Henryk Siemiradzki, Orgy of the Times of Tiberius on Capri, 1881, oil on canvas, Tretyakov Gallery, Moscow

At it's best, secular empiricism can aspire to Classical morality - the logical necessity of a creator that can account for immanent reason in material and conceptual reality without a clear bridge over the ontological gulf between subjectivity and Truth. 

Empirically, we know that there will always be malice and the will to dominate, and there will always be a need for a measure of stability. So there will always be the powerful. And the powerful always shape social reality to their desires. 







Henryk Siemiradzki, The Girl or the Vase?, 1887, oil on canvas, private collection

The only positive outcome is for those desires to be moral, and the only thing that constrain the appetites of the powerful is an external, objective moral truth. 







The empiricist can draw conclusions from observing the world around them. He can even logically determine the need for a first cause/ultimate reality. But the nature of that ultimate reality - theology - is what is known by faith. 



Henryk Siemiradzki, Christ in the House of Martha and Mary, 1886, oil on canvas

Christian logos seamlessly harmonizes moral law with empirical observation and logic as paths to knowledge. We now have a standard against which to weigh competing moral claims. 







Now let's get rid of the Satanists for clarity's sake since they have nothing positive to contribute to discussions about truth and epistemology. Then if we bring our expanded epistemology graphic together with our logos one, we can see how the whole thing just falls together. It's the opposite of entropy. It's creative order. It's logos. 































Christian faith and empirical reality align so well ontologically because logos is a vertical concept. This allows it to manifest in the appropriate way at the appropriate place - connecting the material world, abstract reasoning, and ultimate reality while preserving the essential differences between. Secular transcendence is avoided because absolutes are correctly placed outside direct human comprehension. Secularism fails because it crushes ontology into a single plane then expects abstractions to operate clearly in the material world. See the difference:



Material reality is empirically clear - we can see, describe, and measure it. But it is unclear and imperfect. All measurements have uncertainty, no history finds the beginning, all structures decay, nothing lives forever, all judgments are contingent, all information fields incomplete. 











We can concieve of things that aren't limited in these ways, but they aren't materially real. Mathematical precision as opposed to the reality of cutting and measuring. The math is closer to absolute truth because absolutes are conceptually possible while the carpenter imperfectly translates this into material form. 


"Perfection" is an abstraction. In the imperfect material world, we operate in shades of gray...





...but shades of gray can still convey truthful information. Imperfect alignment with the truth is still more truthful then no alignment. And the more closely we align with the truth, the more functionally and aesthetically effective the outcome. 




Put it another way. Two imperfect representations of Pythagorean geometry. But only one attempts to align with higher truth and order:


















See the difference logos makes?

Christian faith and empirical reality align so well because logos is a vertical concept. This lets it manifest in the appropriate way at the appropriate ontological level and connect the material world, abstract reasoning, and ultimate reality, while preserving the essential differences between. Logic applies higher principles to material circumstances through moral reasoning. And the vanity of secular transcendence is avoided because absolutes are correctly placed outside direct human comprehension.






Recognizing that logos is a vertical concept clarifies the transition from Classical to Christian concepts of art, and brings us closer to an understanding of what art means to the West. Approach it systematically: ancient art is a subset of mimesis which is a subset of representation. The Band has addressed representation in a general way - there are some early posts dealing with semiotics and more recently we've used allegory as a way to think about the difference between a form of representation and the type of information it can communicate.



Christ as the Alpha and Omega in the Calendar Window at Chartres Cathedral, early 13th century

This is an incredibly deep area of study and far outside the scope of a post. For now, we'll keep it simple and make a basic distinction between the two most important forms of representation to the formation of Christian art and Western culture in general - words and pictures. 













We're leaving out music for now, because it's an abstract medium with minimal discursive information content unless it has lyrics - that is, words. 








Gospel of St John 1, King James Bible, published by Robert Barker, London, 1611, British Library

Western languages combine abstract graphemes - letters - into lexical chains capable of communicating endless descriptive detail and complex speculative thought. It can be mimetic in the Aristotelian sense because it can describe events and tell stories that represent recognizable human activity. You can picture it. But it can't make you see exactly what the description really looks like, no matter how exact. 








Ivan Aivazovsky, Walking on Water, 1888, oil on canvas, private collection

Western art represents its subjects by visual mimesis - conventionalized techniques and materials to be sure, but arranged to show the audience something suggestive enough of real-world things and object relations to be recognizable. A degree of discursive content can be added by symbols, elements with multiple connotations, siting, and formal arrangements, but nothing approaching the specificity and versitility of language.  












This is a simplified contrast - there are words that have pictorial elements and pictures that include text. What is important to understand is that words and pictures are central to Western representation and that they communicate differently. One by mimetic association and the other by denotative symbols. Or what Peirce would have called icons and symbols. 





This is a graphic from an early post breaking down 19th century American philosopher Charles Sanders Peirce's semiotic categories. Here is the link if you are interested.

It's all connected.











Christian art is a visual medium but is defined by the textual standards of Christianity. It comes from the same ancient roots as Christian ontology - Old Testament theology and Greco-Roman culture brought together into a higher fulfillment. Note once again the term fulfillment, and not balance. The roots aren't "balanced" into fake relativism between arbitrary categories but superseded to move closer to truth. The difference between the two  is vertical - ontology is an abstract concept while representation involves material processes like forming sentences and making paintings.
















Old Testament theology and Classical ontology present images in opposite lights, for reasons that can be visualized with our ontology graphics from the last post. The Greco-Roman perspective was based around the hierarchical concept of logos we've spent a lot of time on. The visual arts were central to their culture and religious since analogies of resemblance were a way to represent metaphysical realities in material forms. The Old Testament perspective was that ultimate reality was radically split from the material world with the Fall, and is only bridged by God's direct action. 



Gustave Doré, Moses Showing the Ten Commandments,1865, engraving

The religion of the Old Testament is a verbal one - laws and prophecies are spoken or written and Bible is Greek for Books. Images are viewed negatively, most clearly in the 2nd Commandment. The Band is aware that there are different versions of the Commandments, but finds theological wrangling between denominational viewpoints utterly uninteresting and uncomfortably close to secular transcendence in the form of idolizing the words of men. 

To avoid this, we will just use the passage from Exodus in its entirety:


















Jen Norton, The Ten Commandments, 2015


There are a number of interpretations of this passage. It refers to idolatry, and idolatry been taken as anything from the specific act of worshiping statues - literally graven images - to making worldly attachments the center of attention. The Band tends to favor the broader interpretation - anything that takes the place of God as the object of worship - but since our topic is Christian art, we will stick to the implications for pictures and leave other fixations aside. 



Aron de Chaves, Moses and Aaron with the 10 Commandments, 1674-1675, Spanish and Portuguese Synagogue, London

The form of the 2nd Commandment is consistent with the ontological divide between God and Man in the Old Testament. It is firmly stated in spare language without argument or explanation. In the world sub lege, direct commands are the only way to align material existence with Truth. 









Shifting to a Christian perspective evolves from Law to Logos, and lets us consider the prohibition of images across the ontological hierarchy. There is an appropriate case to be made against representing God at each level. 

But logos also provides the counter-argument by breaking the radical ontological barrier between man and God and complicating the complete separation. First we'll consider the Old Testament case against from the perspective of logos as a vertical unifying axis. 












Carl Bloch, The Sermon on the Mount, 1877, oil on canvas, Natural History Museum of Denmark, Copenhagen

At the level of Logos, Jesus affirms the Commandments. 

At the level of Abstract logic - small l logos - a transcendent entity can't be shown in a mimetic representation without fundamentally misrepresenting its nature. It's the infinite stream in the finite bucket problem. 






Francisco Goya, La Gloria, 1771-1772, oil on canvas, Museo Camón Aznar, Zaragoza, Spain

The abstract Trinitiarian symbolism of the triangle represents relationships - three-sided, upward pointing - but does not attempt to show what the things being related might look like. It is schematic rather than mimetic likeness - between Peirce's symbol and icon with elements of both. 

Pierre Mignard, God the Father, after 1664, il on canvas, 47 x 60 cm, National Gallery of Art, Washington

Logically, trying to depict the God of the Old Testament is irrational. All a material likeness can show you is what He doesn't look like. The impulse is to represent some aspect of God by putting it in human terms, but this makes it more symbolic - like the abstract triangle rather than a mimetic likeness. 



Fridolin Leiber, Pater Noster, before 1900, chromolithograph, "Our Father" prayer with central Trinity and symbolic scenes 

He doesn't look like this either. The picture is showing you a symbolic relationship rather than a portrait. But the iconic nature creates a relatable, humanized picture in your mind in a way that the abstract schematics don't. This can easily be deceptive if you don't remain aware that this is purely symbolic because human figures, gestures, and expressions are so natural and familiar to us. The idea is to convey age, experience, authority, not a portrait, but it is easy to start conceiving of God as an old man, with all the limitations of that human identity.

A word is the opposite - an abstract symbol that makes no claim of likeness or visual analogy at all - not even a relationship between parts. It's just a label - one can state that God walked in the Garden with Adam without making any claim about what it was like to see Him. 



Esteban March, The Golden Calf, between 1610 and 1668, oil on canvas, Fundación Banco Santander

At the moral level, the ontological difference between God and the idol means that the idolater is directs their attention in the wrong direction. They follow the wrong guides.




This resembles Plato's critique of art in the Republic. Material images are at the opposite end of the ontological spectrum from ultimate reality/God/Truth. If virtue is movement towards Good, then focusing on images aims you away from that into the material world of uncertainty and deception. 

Jean-Honoré Fragonard, Jeroboam Offering Sacrifice for the Idol, 1752, oil on canvas, École nationale des Beaux-Arts, Paris

Pictures can have a truthful message, but don't have to. Their power comes from pathos - emotional appeal - independent or reason. Logically any picture of God uses pathetic engagement to draw you away from truth. 

Bovine deities were common in the world of the Old Testament


Arturo Di Modica, Charging Bull, 1987-1989, bronze, New York City

They remain popular among idolators, even when the form of idolatry has shifted to fetishizing materialism. The bull is a monument to Wall Street excess - the greed-driven inverse of a morality based on higher Truth. Open blood sacrifice is replaced by a illusory debt-driven demoralized system that has elevated sacrifice to the cultural level. 

Unchecked materialism goes hand in hand with other forms of distorted hedonism - the ritual caressing of the testicles ties this together nicely. The dark genius of modern deception is that with the right idols, the lost skip merrily to their own debasement.






Kristen Visbal, Fearless Girl, 2017, bronze sculpture, in front of the New York Stock Exchange

There's layers to this. Consider Fearless Girl, a statue installed in front of Charging Bull the day before International Women's Day by State Street, an index fund with "gender-diverse" companies. It was originally put in front of the Charging Bull until being moved when artist Di Modica complained, but there are footprint marks left behind to mark her former presence. Like an ascendant Buddha, if the Siddhartha had been a privileged liar...

The statue is obnoxious in the typical "progressive" way - a show of cheeky "defiance" that is only imaginable with the armed power of the state behind it, and oddly freakish physically, with a weird, adult-seeming head that resembles Obama. 




.


As a bit of viral marketing from a global giant it was a success. The soulless parasites orbiting "the financial world" took to it as meaning something. But the symbolism is weird - do female Wall St. execs really identify with deformed children?

Perhaps the random placement of a symbol of adult genitalia on child's head is clue...




Look closer. 

The liars in the media like to refer to Fearless Girl as facing off with or facing down the Charging Bull as some sort of reason-less allegory of something feminine overcoming something masculine through existing. 

But when you set aside the lies, you see something else. Put aside all the hot air about female power and look at the actual figures.











See it now?


















Lars Justinen, Through the Fire

That's it. Moloch was a Canaanite god that's been mentioned here before that was connected Biblically and archaeologically to child sacrifice. It is likely the origin of Carthage's Baal-Hammon, and has been associated with the Roman Saturn who devoured his children. The bull-headed bronze holocaust was another Old Testament bovine idol. 



Offering to Molech, 1897, illustration from Charles Foster, Bible Pictures and What They Teach Us, 1897


The ultimate moral inversion is to get people to walk blindly into their own destruction. Like sassy girl power in the face of the globalist beast. 


The Canaanites thought they'd buy supernatural favor. Alone, the Charging Bull is more an idol of Mammon - the love of wealth over all else - though that wasn't an Old Testament deity. Fearless victim adds an element of Moloch - like words forming a sentence. The sacrifice of children to the hunger of money and "success" is a perfect summary of our morally inverted materialism. Only the modern idolatry is socio-cultural and the sacrifice society wide.

Henri Meyer, Le Veau d'or (The Golden Calf), allegory of the Panama scandal, Le Petit Journal, 110, 31 December, 1892.

The Band isn't the first to make the connection.

That should clarify the morality level.


Idolatry with Baal-peor; Numbers 25:1-8, from the Phillip Medhurst Collection of Bible illustrations, Leicester, England

On a material level, we have to consider the Old Testament in its historical context. The people of the Covenant are distinguished from the rest of antiquity by their text-based monotheistic belief system.. 


The Singer of Amun Nany's Funerary Papyrus, around 1050 BC, Dynasty 21, paint on papyrus, Metropolitan Museum of Art

The monotheism/polytheism distinction is a lot more than how many gods are listed on the temple roster. It's basic ontology. Both see human existence as ruled by divine forces, but place those forces on different levels of the hierarchy. The gods have a different relationship to reality. 


Head of Zeus-Ammon, Roman Imperial, around 120-160 AD, private collection

Creation myths vary, but the polytheistic gods all exist within creation and correspond to different forces. Defining ancient cultural "religions" is really speculative since primary evidence is limited to a few texts, and there is considerable overlap in gods and beliefs over time. The ancient Greeks even introduced the idea that different pantheons were manifestations of the same thing and could be conflated, giving us hybrids like Zeus-Ammon. 

This head recently went for over $3.5 million - laundering an old idol into the new. 







Baal-Hammon on a throne, 1st century, terra cotta, Bardo National Museum, Tunis

Ba'al in the Bible seems to derive from a generic term for various Levantine deities, although there is also evidence that he was worshiped as a distinct entity. The chief deity of Carthage - Ba'al Hammon - is often likened to the Canaanite god Moloch for the common practice of child sacrifice. The reality is that they likely were the same historically - Carthage was founded by the Phoenicians, iron age descendants of the bronze age region known as Canaan in the Bible and the Phoenician gods were of Canaanite origin.  

Ancient polytheism lacked sacred texts like the Bible to provide internal consistency, so there was no check on the spread of variations, and when the cults died out, the details were lost. 







Creation, around 1275-1300, illumination on parchment, New York, Morgan Library

The Old Testament God is ultimate reality. He precedes all that is and all that is comes from Him. Since reality is an extension of His will, His commandments are pure Truth, limited only by the inherent imprecision of language. Compared to this, the deities of the ancient world are interchangeable Ba'als - at best fake, at worst demons, and in any case a path away from Truth. 

Rob Leinweber, Moses and the Tablets of Law, vintage postcard

Socio-culturally, rejecting idols kept the Old Testament religion distinct from the neighboring polytheistic cultures.









This brings us to art. One of the problems with official history is that it is demoralized. It accepts Enlightenment Rationalism as an article of fake faith and overlooks connections between "superstitious" spiritual factors and palatable materialist ones. The Band has followed this pattern when looking at the Classical roots of Western art theory. We've looked at it in secular ways - historically as the beginning of art as a topic of reflection, and philosophically as a material expression of immaterial logos. But the religious implications of Greek statues were far more important an influence on Christian attitudes than the aesthetic musings of Polykleitos.



One of the great misconceptions of Classical art is that is was uncolored. Even people who don't know anything about art pictures pure white marble figures when the hear "Greek statue". The reality is that the Greeks and Romans painted their statues and buildings to make them easier to identify and to ratchet up the pathos. Painted figures were more realistic and the intense colors fascinate. The white marble aesthetic was an artifact of the Renaissance, where the rational aspects of Classical culture were pedestalized and the inconvenient irrational ones memory holed. 

Here is a reasonable article on the analytic techniques being used to recreate ancient pigments. 












Iktinos and Callicrates, sculpture by Phidias, Parthenon, 447-432 BC, Athens

Consider the famous Parthenon in Athens  - a model of the harmony and logos of the Classical Doric order.

Here are some recreations of the not-so logical colors. Greek religion was highly irrational and mystical, with Dionysian rituals, mystery cults, secret initiations, animal sacrifice, oracles and divination... 











Alan LeQuire, Athena Parthenos, completed, 1990, gypsum, fiberglass, gold over aluminum and steel, copy after original by Phidias, begun 447 BC; Varvakeion Athena, 200-250 AD, Roman copy of the Athena Parthenos, National Archaeological Museum of Athens

...and cult statues. All the major polytheistic traditions used statues in their ritual in some form or another.

The Athena Parthenos was  gigantic cult statue that was celebrated for its artistry and the dazzling impact of its shining chryselephantine - gold and ivory - form. This replica is found in the copy of the Parthenon in Nashville. The inset is a Roman copy of the Parthenos type. 









Idol, Ishtar or Ashtoreth, alabaster, gold, terracotta, 3rd century BC-3rd century AD, Louvre

Cult statues performed different functions, but generally relied on resemblance to bring the worshipper closer to the god in some way. A temple statue like the Parthenos was an ersatz body for an immaterial entity to inhabit and hear the prayers of the supplicant. A small figurine like this is portable and might draw divine interest and by extension favor or protection. It is basically sympathetic magic, and it was based on the notion that the gods, as created beings, have material forms for art to resemble. This obviously doesn't apply to the God of the Old Testament. 

Look past the relatively modest level of techne and you'll see the typical proportions of a late antique female nude. But the main purpose of the image is religious. This is the split between thinking in strictly secular terms and actually considering how different frames of reference interact. 





Sculpture from Khorsabad, capital of Assyrian King Sargon II, 8th century BC, Louvre, Paris

Statues on or around important structures likewise invoked blessings and protective forces. 

On a purely material social level, the 2nd Commandment distinguished the Covenant people from their idol-using polytheistic neighbors. 





So on every level of the vertical hierarchy - theological, logical, moral, material - the Old Testament presents a united opposition to image use. This is because God is utterly transcendent. There is no vertical axis of increasing visibility and decreasing truth to connect Him to the material world. Obviously cult statues and idols are out, but the theoretical notion of idealizing nature in art is likewise impossible.



Anubis, Roman, 1st-2nd century AD, Parian marble, Museo Gregoriano Egizio, Vatican Museums

Classical idealism was based on the idea that a flawless appearence and perfect proportions was a material expression of abstract principles through physical analogy. If there is no ontological axis, there is nothing to analogize. Wherever a statue may lead you, it isn't towards God. 







The idea of Christian art is based on the same premise as Christian ontology - Christ the Logos is mortal man and absolute transcendence in a single hierarchical arrangement. This lets allows reason to orient towards Truth and engage in moral reasoning. Extend the expression further down the hierarchy to techne, and there is no logical reason that logos can't appear in a level-specific manifestation here as well.



Unknown Master, Altarpiece with the Mercy Seat, central panel, 1260-70, tempera on oak panel, 71 x 120 cm, Staatliche Museen, Berlin

Of course the theological and logical obstacles have to be addressed, which is where Jesus factors in as both man and God. To avoid speculating on nature of the Trinity, we'll leave it at the observation the Father and the Son can be thought of as different ways the Godhead is conceived by and interacts with finite human minds. The Father is transcendence and the Son a vertical ontological axis extending from transcendence all the way to a human body. The Holy Spirit looks like God's active presence in the world, but that's hardly a theological conclusion.









The Shroud of Turin: modern photo and digitally processed image, linen, Cathedral of Saint John the Baptist, Turin


This means that the God the Son could be seen directly







Or as St. John put it: the Word was made flesh:




















Switching to Word from Logos is deliberate. Logos is still the more complete translation of the original Greek and as we have seen, nicely describes what is going on in the Incarnation. But Word is the common term, and it is worth going back to it to clarify a relationship between Jesus, text, and visual images.

The translation issues around λόγος are another place where secular transcendence leads astray. The last post likened the materialist perspective to Flatland, the two-dimensional world where the 3D visitor is only seen as a contact polygon. Secular transcendence happens because the materialist has to crush everything into a material frame of reference - they're trapped on the ground floor of the ontological hierarchy, no matter what they're dealing with. They're aware of more abstract subjects - most have wondered about where we come from at some point - but are blind to the third dimension opening out of their materialist prison. The inversion is complete when those who see through the charade are viewed critically for their disinterest in beads and trinkets. The blend of arrogance and ignorance can be taxing.













But if you can't grasp that a concept can coexist on different levels at once, then you can't grasp the differences in meaning that are level-specific. Everything gets smashed together - observation, inference, logic, metaphysics - into one material frame of reference, despite that frame being literally unable to even address them. From this perspective, "In the beginning was the Word" or "the Word made flesh" just seems like a metaphor for Jesus superseding the written law of the Old Testament, which is a sound interpretation on that level.



Luca Giordano, The Annunciation, 1672, oil on canvas, Metropolitan Museum of Art, New York

But it isn't words, it's Word - capital and singular. That means we need to look upwards.



















Remember that Word and Logos are both translations of Λόγος - the confusion comes from the massive vocabulary that English has. This gives it different words for things that other languages would express with the same word differentiated by context. This makes it very precise, but loses the layerings of meaning in a single expression. Whichever one we use says Λόγος., just emphasizing one aspect or another.

What is important is the capital "Λ" - Word not words - that makes it a proper noun. And if Λόγος is vertical, the singular proper noun IS the higher metaphysical reality that the plural lower-case "w" versions can only represent in a symbolic way. The relationship is essentially Platonic, with Word as the Form that words faintly hint at. Now the Form, the Nous, the Logos, the Λόγος, the Word is flesh - embodied in a material human form in the fallen world. That which could previously only be read in abstract words can now be seen empirically. The Incarnation isn't an idol. It is what Logos objectively looks like. Or as He put it:























That's the basic theological justification for images - they are representations of the material form of the Incarnate God that He chose to assume. It'd obviously way more complicated than that, but the various disputes over art throughout the history of Christianity revolve around the friction between Old Testament iconoclasm and the visible Logos.



Augustus as Jupiter Capitolinus, 45-50 AD, head by Filippo Tagliolini, late 18th century, Naples, National Archaeological Museum

Setting that aside for the moment, there is another, practical problem as well. Christianity spread in a Greco-Roman world filled with visual art, but the Classical concept of the idealized figure as analogy for higher order doesn't work. Jesus isn't a generalized allegory. He is a specific individual - in fact it is the specific nature of His humanity that lets Him bridge the ontological gap in a real way. In fact, the Classical fixation on nude bodies - pleasures of the flesh in general - were a problem for Christian ethics, at least until the Renaissance. 










Christian art began with the question of how to represent Jesus, but that's a question for next time. This has been a long one, but hopefully clears up the transition from Classical to Christian thinking. It is important to understand how this fit together - what we can know and how we can know it - to understand the transition from the ancient world to the West. Next time we'll get into the art.




Christ as Sol Invictus, mid 3rd century mosaic from the Tomb of the Julii under St. Peter's, Vatican 
Jesus as the Good Shepherd, 3rd century, Catacomb of Domitilla, Rome
Traditio Legis (Christ as Law Giver), Sarcophagus of Junius Bassus d. 359, Museo Storico del Tesoro della Basilica di San Pietro, Vatican







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